![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgEg8qZ8UQd_ke5lVG3FD9jrUgAzJvlcyMzItBfKO2kFvLyaRDRDl2YwAcnMIU5wVXKKeB4no2crtk9eatMDSz7id3X94r3DzCPjBfjIAKkbzFHCSblxuiyP5jFucnaUh_NgXQxuTWiwQ/s320/Brazil+3.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCjNz3OuPGGgPK9UK-hD6yuWEjetPpoPhlanLgl6wStlQE9bcqwKy8awPJliX9APvdyn7PnTyhWqfNf-5NHsuN8PKJIh2YgIK4UL8jnlCgaZ6YCnX1yt_qWK69L57CGhVYGz9EgmMzHkU/s320/Brazil+2.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj25B9kOLzZzOCaSmKjCNdVjIGoX5QOdJ35QXODsAIfECaD74rmOXPjCDmfb7joELpqfh7_R5kr17iBgI9-Kbz2V8sVQ5asQ5WMfyjJ4ispVNxmt6IhW_uaHDxu6pN5_tryN7ll4ZFmwP0/s320/Brazil+1.jpg)
Although I wasn't totally blown away by the latest exhibit at Yerba Buena, "When Lives Become Form: Contemporary Brazilian Art, 1960s to the Present," I did see a few things that made me smile. From top, Beatriz Milhazes' window treatment, osgemeos' "Untitled," and Rogerio Degaki's "Vicky," oil on canvas that looks like it's been knit instead of painted.